Der lindworm michael ende biography

Der lindworm michael ende biography: Michael Ende was by

Ende was one of the most popular and famous German authors of the 20th century, mostly due to the enormous success of his children's fiction. He was not strictly a children's writer, however, as he wrote books for adults too. Ende claimed, "It is for this child in me, and in all of us, that I tell my stories", and that "[my books are] for any child between 80 and 8 years".

He often expressed frustration over being perceived as a children's writer exclusively, considering that his purpose was to speak of cultural problems and spiritual wisdom to people of all ages. He wrote in One may enter the literary parlor via just about any door, be it the prison door, the madhouse door, or the brothel door. There is but one door one may not enter it through, which is the nursery door.

The critics will never forgive you such. Skip to the end of the images gallery.

Der lindworm michael ende biography: Michael Andreas Helmuth Ende (12

Skip to the beginning of the images gallery. Lieferzeit Tage. Der Lindwurm und der Schmetterling oder Der seltsame Tausch. Edition: Performance material. Add to Wish List. Product Details Persons Performances Reviews. Description During 17 years of artistic collaborationMichael Ende and Wilfried Hiller have repeatedly used the literary genre of animal fables to present complex topics in a form which is readily comprehensible for children.

This is exemplified by the four musical fables involving the protagonists Lindwurm and Schmetterling wingless dragon and butterflyTranquilla Trampeltreu the steadfast tortoisethe rhinoceros Norbert Nackendick Norbert Fat - nog gin and the elephant Filemon Faltenreich. The tortoise Tranquilla Trampeltreu is so slow that she misses the wedding of King Leo the 28th, but perseverance proverbially leads to success and she arrives in good time for the wedding of Leo 29th.

Norbert Nackendick tyrannises all other animals in the savannah, but ultimately comes unstuck due to his infinite overestimation of himself. Finally, Filemon Faltenreich is so wrapped up in himself that he does not notice that the mass of flies at his feet have challenged him to a football world cup and emerged the triumphant winners. Ende decided that he wanted to be a playwright, but financial considerations ruled out a university degree, so in he auditioned for the Otto Falckenberg School of the Performing Arts in Munich and was granted a two-year scholarship Haase.

On leaving drama school, his first job as an actor took him to a provincial theatre company in Schleswig-Holstein. The troupe travelled from town to town by bus, usually performing on makeshift stages, surrounded by beer, smoke and the clatter of skittles from nearby bowling alleys. The acting was a disappointment, he usually had to play old men and malicious schemers, and had barely enough time to memorize his lines.

Despite the frustrations and disappointments of his early acting career, Ende came to value his time in the provinces as a valuable learning experience that endowed him with a practical, down-to-earth approach to his work: "It was a good experience, a healthy experience. Anyone interested in writing should be made to do that sort of thing.

It doesn't have to be restricted to acting. It could be any kind of practical activity like cabinet making—learning how to construct a cabinet in which the doors fit properly. Thanks to the numerous contacts of his girlfriend Ingeborg Hoffmann, Michael Ende was introduced to a variety of cabaret groups. InTherese Angeloff:, head of Die kleinen Fische: the 'Little Fish' cabaretcommissioned Ende to write a piece in commemoration of the th anniversary of Friedrich Schiller's death.

Ende produced a sketch in which a statue of Schiller was interviewed about newsworthy issues, and replied with quotes from Schiller's work. He also worked as a film critic during the s. I sat down at my desk and wrote: "The country in which the engine-driver, Luke, lived was called Morrowland. It was a rather small country. I didn't start out with a concept or a plan—I just left myself drift from one sentence and one thought to the next.

That's how I discovered that writing could be an adventure.

Der lindworm michael ende biography: Michael Andreas Helmuth Ende

The story carried on growing, new characters started appearing, and to my astonishment different plotlines began to weave together. Michael Ende always said that ideas only came to him when the logic of the story required them. On some occasions he waited a long time for inspiration to arrive. At one point during the writing of Jim Button the plot reached a dead end.

Jim and Luke were stuck among black rocks and their tank engine couldn't go any further.

Der lindworm michael ende biography: The dragon is supposed to

Ende was at a loss to think of a way out of the adventure, but cutting the episode struck him as disingenuous. Three weeks later he was about to shelve the novel when suddenly he had an idea—the steam from the tank engine could freeze and cover the rocks in snow, thus saving his characters from their scrape. In the end he began to lose hope and toyed with the idea of throwing away the script.

He eventually tried it at a small family publishing-house, K. Thienemann Verlag: in Stuttgart. A mountain of post gathered every day, usually from enthusiastic readers who congratulated him on his work, asked questions about individual passages, and wanted to know more about his ideas. But Ende also received letters from people asking him to share their problems, whether psychological, financial, romantic, clinical, philosophical or political in origin.

At first Ende replied to each and every letter, although he was soon forced to be more selective as the volume of mail increased. The play was directed by Detlef Mejerjohann, and has since been performed over three hundred times, including at theatres in Darmstadt, Zurich and Salzburg.