Nora ligorano and marshall reese biography templates

Temporary Monuments - Ice Sculptures [ edit ]. Installation Art [ edit ]. Video Art [ edit ]. Limited Edition Multiples [ edit ]. Representation [ edit ]. References [ edit ].

Nora ligorano and marshall reese biography templates: LigoranoReese is the collaborative name

Retrieved 31 August Retrieved 1 September S2CID New York Times. Retrieved Fiber Arts. New York, N. ISBN Archived from the original on 12 March Bloomberg Businessweek. Archived from the original on August 31, Retrieved 9 October Retrieved 18 April Retrieved 2 September Figuring the Word PDF. Granary Books. Leonardo On-Line.

Nora ligorano and marshall reese biography templates: Ligorano & Reese [Nora Ligorano

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Nora ligorano and marshall reese biography templates: I first met Marshall

Clock: Edition of 9. Instagramopens in a new tab. Facebookopens in a new tab. Artsyopens in a new tab. Site by Artlogic. I started working more with projections, performance and time-based works. Then I had a Fullbright scholarship to live in Spain to do research in design arts. We moved to Spain together and started to collaborate in in performances pieces.

What is your favorite place to hang out? What do you like to do for fun? L- That is not true. We just got back from a trip in Cadaques which is an absolutely amazing place. For me, my favorite things to do with Marshall are to travel, to look at art, to eat and cook; cook and eat. R- Nora is a great cook. I think the way she cooks with different types of ingredients and spices is similar to the way she uses materials for her work.

She likes to combine recipes and ends up with hybrid dishes. When we lived in Baltimore, before we left, we had this incredible garlic soup Nora had made for which she could never trace back the recipe. It came from so many different sources. I think a lot of what she does is to make hybrids from different types of materials and processes and a lot of what we do is combining many different types of art forms.

That is probably the common thread in everything since what we do is very different. We make large-scale ice sculptures that highlight political and social events and they all have all of these different components. We also make fiber optic tapestries that are woven-sculptures with light. Earlier on, we made sculptures with video elements inside them — video screens inside books and clocks.

We always make a combination of different forms. What motivates your art? Why are you so political and why have you focused on that aspect of art? L- I would say that having been into German Expressionism and what was behind their work as they built their canvases and imagery etc. Marshall has been an incredible inspiration for me in framing things and looking at things critically.

We do this body of work I hate putting labels on things but it is in the realm of social art, social change and commenting on political systems or structures or the deterioration of certain things we were taught while growing up. I think that exploring the reality we live in is something that is quite personal but I also think it has a broader scope.

This is certainly something that noras ligorano and marshall reese biography templates me. R- I think that from very early on I was interested in the intersection of politics and art. As artists, we are affected by both other art around us and by the political circumstances around that art. It can also be a symbolic tool to encourage people to think, take action and create change.

We found you because of the ice sculpture you did. What other mediums do you use? What other mediums do you work with aside from ice? L- Marshall is a video editor by trade, thus, we are able to do single channel videos. We always factor videos into the work that we do. We also have a body of work that is made of woven fiber optics and the fiber optics are illuminated through RGB LEDs that can change to almost any color.

These then are connected to the Internet where we are actually taking data and using that to make patterns that change over time. We are currently making two pieces that will be shown in San Francisco. The one we are using is Fitbit and we are quantifying the information. We are making patterns, colors and transitions through the information that we are able to take out of that tracker and showing it onto our tapestries.

To go back to the ice sculptures, those sculptures are more than statically putting several large thousand-pound blocks of ice in a public space. The ice sculptures also result in time-lapse videos, still photography, the street theater around it and they also stream live on Internet. R- No, we also show our work in galleries and museums.

We make both inexpensive and expensive art work because we want people to have as much of it as possible. We want to offer it and share it with as many people as we can. You are also very interested in the pacing of time and the changing of things as well as on climate change. Why did you select climate change as a major cause to portray through your art?

R- I think a unifying element in our work is that our objects always change, the fiber-optic tapestries will never be the same at any given moment. Also our mirror pieces will always change depending on who is looking at them or passing through them. Another example, are the snow globes that also move when you shake them. L- Well for one thing and this is a real honest answer, when I learned that the climate change march was happening in New York City, I thought ice was the perfect material that matched the cause.

Marshall and I had talked about this in the past. We thought of ice as a material to be used for global warming. Then, we thought that it was maybe too literal.

Nora ligorano and marshall reese biography templates: We decided to catch up

But the more we talked about it, we concluded that if the words we used were the right words and if the phrase was open enough and inclusive, ice, as a medium, could create a very potent and solid artwork. We were approached by someone to really seriously consider the climate march as a place where it would be relevant to put this type of work.

As soon as we came up with the word, we were on. However, our further development will be to release another time lapse video of it. There are still two other parts of the project that are coming out. As I said these ice sculptures are more than the melting of ice. In addition, we have also filmed and interviewed people asking them about the sculpture, how they feel about it and how they relate to the issues around it — how global warming affects them.

We will create a 5 minute video of these interviews as part of the changing piece. Ice is impermanent. Do you use the concept of impermanence as a way to connect to your audience?