Osmany paredes biography

I didn't come here to go there, but I appreciate the musical ambience Berklee creates. And I found that I like what's going on in this city. Paredes laughs. Produced, arranged and mostly composed by Paredes, it earned enthusiastic reviews from the international press for its enticing mix of lyrical introspection and rocking Cuban jazz. While Paredes can be as introspective as Keith Jarrett or as complex as Chick Corea, he just as frequently accompanies his playing by bursting into actual song.

It's the sort of openly accessible music that inspires the belief the road to the future of jazz will be paved with Latin rhythms. The Cuban pianists are basically percussionists. They play with a drummer's sense of time, but they express it playing harmony and melody. Their timing is incredibly crisp. Tonight he performs at Ryles in Cambridge, leading his own new band, which in addition to Lehmann includes reknowned bassist Oscar Stagnaro, saxophonist Tim Mayer and percussionist Ernesto Diaz.

Paredes has also been working with singer Patricia Vlieg, a native of Panama, who comes to Ryles on Feb. You might also find him playing for dancers at Johnny D's weekly Sunday night salsa parties in Somerville. Which means music-loving Bostonians would be wise to enjoy Paredes while they can.

Osmany paredes biography: › interviews › catching-up-with-pianist-composer-arranger.

Right now, I am very happy here. Five songs are original compositions by Paredes, who presents his musical ideas as a mature pianist with a defined vision. He makes powerful statements with refined skills, deep emotions and indisputable high quality. I have always played Latin Jazz, however, I also enjoy playing a variety of genres: swing, bossa nova, boleros, rumba, cha cha, etc.

May 7, Swing is a good thing, and Paredes' debut has it. There's nothing too conceptual about the date, just a fine album that has a bunch of younger Cuban musicians, living in Mexico working out in a modern Latin jazz style. But Paredes, a pianist, likes introspection, so there's tranquility in here also, danzon-like. He rises out of the tranquility with repeated figures that pull the percussion together, and finally the whole project rocks.

They take on Miles Davis' "Seven Steps," a jazz standard, and it works with Paredes' piano cruising through variations on a montuno, keeping the proceedings fresh. The original writing veers sometimes into fusion, but almost as an afterthought.

Osmany paredes biography: Read Osmany Paredes's bio and find

A really strong debut, one that leaves you wondering where all these musicians will be in ten years. Generations of creative people have graduated and continue to graduate from academies throughout the nation. Those artists, through their work, testify to the virtues of our arts education system, and thanks are due to that system for producing young, talented pianist Osmany Paredes.

He was born in in Santa Clara, a place that has had the distinction in recent decades of producing a healthy legion of magnificent contributors to the panorama of Cuban sound in the areas of composition and osmany paredes biography in both jazz and rock. Osmany spent his formative years at the Art Vocational School. From there he transferred to the National Music School in the capital, graduating in Now officially a pianist, Paredes joined several bands which were decisive in helping him complement the classical technique he had learned with the characteristic flavor of our popular music and particularly of Latin jazz, a style he has felt drawn to since the start of his career.

Similarly, on the second recording by Havana, which was cut in the land of the Aztecs, Osmany put his piano to work for an album of Latin rock. All About Jazz musician pages are maintained by musicians, publicists and trusted members like you. Tell us why you would like to improve the Osmany Paredes musician page. All About Jazz Essentials. Sign In Up Donate.

Tags Osmany Paredes. Last Updated: May 16, Osmany Paredes Instrument: Piano. Buy Now. For me, it was good to know clave and other [rhythmic ideas] when I was very young because that helped me to be able to play, as an individual, a lot of different styles. If you feel strong with your music—in this case, Cuban music—you can feel [more comfortable] playing other roots: Brazilian, African, jazz.

So I think learning clave when I was young helped me to put different styles of music together. TJG: You have deep connection to beautiful, dissonant melodies. In what ways have Afro-Cuban traditions and other musical traditions and styles influenced your relationship with melody and lyricism? OP: I love the music from Brazil. That music has beautiful melodies and beautiful harmony—complicated harmony, but, at the same time, beautiful.

I love classical music, too. I like African music and jazz. I like to compose melodies that feel familiar not only to musicians but to the people who come listen to the music.

Osmany paredes biography: He currently resides in New

I like to be in the middle, always thinking about rhythm, melody and harmony. OP: I started in Santa Clara, my hometown. Then I moved to Havana and finished at the music school there. Then I moved to Mexico. This Friday, November 1st, Osmany will perform with his trio in celebration of his newest album Trio Timewhich features seven original compositions of his as well as two arrangements.

Earlier this year, Osmany released a solo album entitled Passagesbut he has also been in high demand as a sideman in bands led by Richard BonaDafnis Prietoand Yosvany Terryamong others.