Zimoun biography of alberta

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Zimoun biography of alberta: Born in , Zimoun—a

This privacy policy can be adapted and supplemented at any time. Curriculum Vitae «Using simple and functional components, Zimoun builds architecturally-minded platforms of sound. Villa Manin, Codroipo, Italy. Lilanz Art Museum, Jinjiang, China. Ohm, Brisbane Powerhouse, Australia. Brutus, Rotterdam, the Netherlands. Museum Collection Lambert, Avignon, France.

Plus, Donaueschingen, Germany. Tinguely Museum, Basel, Switzerland. Museum Galleria Civica di Modena, Italy. Calgary Contemporary, Calgary, Canada. Museum of Fine Arts, Rennes, France. Museum of Fine Arts, Bern, Switzerland. Arts Center Vooruit, Gent, Belgium. Frankfurter Kunstverein, Germany. Kunsthalle, Bern, Switzerland. Tonus Labor, Bern, Switzerland.

Prozess, Bern, Switzerland. Bahnstrasse 44, Bern, Switzerland. Gnration, Blackbox, Braga, Portugal. Dampfzentrale Bern, Switzerland. Orbital Garden Laboratory, Bern, Switzerland. Headfun, Presences Electroniques, Geneva, Switzerland. Weltecho Galerie, Chemnitz, Germany. Tonus Labor Bern, Switzerland. R3s3t, Bern, Switzerland. Sonic Acts Festival, Amsterdam, the Netherlands.

Elektroni[k] Festival, Rennes, France. Tag, Den Haag, the Netherlands. Blurred Edges Festival, Hamburg, Germany. Ausland, Berlin, Germany. The compositional intentions are manifesting themselves through my deliberate containment and cautious monitoring. So I'm not using chance to discover unexpected results, but to elevate the works to a higher level of vitality.

Featured in the group show, Nostalgia Machines at David Winton Bell Gallery, prepared dc-motors, filler wire 1. By "re-contextualiz[ing] material as much it does sound", Zimoun's work shifts the viewers' relationship with technology and reminds them of the motors and materials that move everyday life. His constructions, or "micro-worlds", behave as a never-ending flux of sound, and these become eloquent and corporeal presences.

The artist's interest lies in creating sounds by very specific means: his operation is rooted in creating sound from simple technological devices, serial and modular. With this he brings materials to the fore; in addition, the titles signal the 'prepared' mechanism, indicating the connection to intentionally tonally manipulated musical instruments.

His works are often defined using the term of sound architectures, based on the principles of Minimal Music, to which he brings a visual aspect while insisting on a simple, reduced design without embellishment or additional colour. Although Zimoun conceives of his installations as compositions in a musical sense, he does not actively intervene in the development of their sound.

Zimoun biography of alberta: Zimoun is a Swiss artist, composer

He does not direct the mechanical systems implemented either in an analogue manner or digitally, via a microcontroller or a computer, instead merely activating them by turning on or off their electricity supply. He sees the moment of activation and the dynamic of the materials themselves as a sculptural and performative approach and names the principle behind these works 'primitive complexity'.

The piece, prepared dc-motors, cork balls, cardboard boxes 41x41x41cmjust as the title suggests, is composed of card board boxes, each with a small motor attached to it, from which hangs a wire with a cork ball on the end. The motors cause the balls to continuously bounce against the boxes. As Hannah Daly of Art Slant notes, "the effect is initially so ambient, so close to the near constant aural din we intake at every moment, you could miss it.

The works, therefore, have a twofold effect that is visual as well as acoustic.

Zimoun biography of alberta: We welcome your reflections on what

He not only evokes, or mimics the sounds of nature through the use of archaic materials, but at times even combines elements of nature with equipment, as in 25 woodworms, wood, microphone, sound systemwhich amplified the sound of live woodworms. These ordinary, functional elements are drawn from daily life, often recycled, and generally of industrial origin.

The properties of each of them — resistance, volatility, elasticity, friction, resonance — serve as pretexts for every new form of experimentation. The piece Prepared DC-Motors, 58 kg wood, in Zimoun's work, titles are never anything but a strict description of the materials used comprises mechanically activated wooden rods and is part of the discourse devoted to passing time.

Meanwhile, 30, Plastic Bags, 16 Ventilators, employs literally 30, clear plastic bags adhered to the walls of a room that vibrates with a sparkling rustle thanks to a stream of air jointly propelled by 16 fans", according to Swiss art historian Karine Tissot, who curated Zimoun's exhibition at Kunsthalle Palazzo in Liesthal, Switzerland.

In addition to his installative compositions, Zimoun also develops purely acoustic works. Great thoughts about a piece usually show the engagement of an interesting person. The new issue is out. Related Posts. The illicit mergers of Wim Delvoye. Read more. James Welling in conversation with Dr. Kostas Prapoglou. Zimoun: analog sound platforms.

Zimoun biography of alberta: Born in Switzerland in

Dimensions: 6m x 2. Installation view: Le Centquatre Paris, France. What was your education and what attracted you and led you to do this type of work? Dimensions: variable. Museum of Contemporary Art, Bucharest, Romania, Cabane B, Bern, Switzerland, Art Museum Liechtenstein, Links Duflon Racz, Bern, Switzerland, Kammermachen, Weltecho, Chemnitz, Germany, Tiefparterre, Kunstraum Kreuzlingen, Switzerland, Lydgalleriet, Bergen, Norway, Gnration, Braga, Portugal, G12 Hub, Belgrade, Serbia, La Rada, Locarno, Switzerland, Stadtgalerie Bern, Switzerland, Freibad Marzili Bern, Switzerland, Swarm prepared vibration motors,